Two fire trucks sit in the yard. The front of the house is collapsing due to the still-burning car at the front door. Flames and smoke pour from the backyard as firemen rush to retrieve the living and dead. Several survivors have already been taken to the hospital, but a few girls remain either waiting for an ambulance or being questioned by police. Kelly moves nearer to the house as Jane and Rob bicker back at the car. She approaches one of the detectives on the scene and tells him that she recognizes the burning car as belonging to a friend of hers. The roof has just collapsed causing EMTs to direct their focus on the house. She stands in front of the very distracted detective and continues on about the text messages, pictures and so on. He asks her if she was in this house tonight, or knows the owner. Kelly says, “No” and watches the cop wander away to help several others in breaking up Rob and Jane’s screaming match.
Kelly eventually admits to herself that this trip was all rather pointless. All she really confirmed tonight was that Rob and Jane may really hate each other and that most or all of her friends have been drowned or burned alive. Her options limited, Kelly calls her very tan friend Ian and asks him if he’d like to see her later. It’s at this point that she starts to ask herself why she’s here right now and begins envisioning a nice suburban life with Ian; he, having a well-paying 9 to 5 and she, a successful trainer for a major sports team. To be in the company of people of questionable reputations such as Jane and Sarah has caused Kelly to feel lowered in some way. She reasons that this could be because they aren’t terribly attractive and have no discernible future that she can imagine, but this is only conjecture.
The police are asking Rob questions about any disgruntled employees he may have; his reply is simply, “all of them”. Jane sits on the bumper of an ambulance with her legs crossed, her hands folded neatly on her knee and smiles at Kelly in a way that makes her feel violated. More police cars arrive as body bags pile up in the yard and multiple detectives interview everyone they can find. Ian tells Kelly he’ll call her tomorrow morning, that everything will be alright and that she’s beautiful. She moves closer to her car and is eventually pulled aside for more questions. Any concerns for the people at this house have faded to apathy as Kelly thinks about tomorrow. She needs sleep immediately if she’s going to look presentable. Embers from the fire blow through the air and ignite some of the nearby shrubs which reminds Kelly of Christmas for some reason.
Photo credit to http://dead-channel.tumblr.com/